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Inside the Studio:
Notes on Color, Process & Painting

Step into the mind and studio of contemporary artist Jessica Moritz. This blog is a living archive of artist notes, color studies, material experiments, and reflections on the invisible forces shaping each work. From chromatic explorations to curatorial insights, discover how light, gravity, and space unfold across canvas and thought. Whether you're a collector, curator, or fellow creator, these entries invite you to witness the creative process beyond the finished piece.

Twist

  • Writer: jessica moritz
    jessica moritz
  • Sep 7, 2019
  • 2 min read

Updated: Nov 18, 2020

Installation​

100X 100 X 10

MDF and acrylic

2019

installation: Twist, based on standing on 1 square meter


Through my journey of building a new approach of colors, I also investigate the space (architecture) relation.

what we consider as painting usually is a square, or regular shape such as a canvas and hang on the wall, so we have a vertical relation.

I wanted to see from different angles such as body position, limited gesture, and human-size space-related.

As a person, we relate to space by dimensions, habits and body gravity.

it implies to be conscious about your ability, restrictions, and will. In that position, I asked myself what kind of gesture or steps if I may say, I would do in a limited space. how do I relate to it, what kind of shape it reveals and what informations I can learn from that?


twist, skectch, sculpture, jessica moritz, tel aviv art, israeli art, jeszmo_art
sketches twist

so the work started on the floor, in my studio, I took a piece of MDF (5mm one meter square ) and I try to stand still on it. i didn’t succeed in standing still a long time. Also, I noticed that my body position was shuffling into three different positions that revealed a pattern of behavior.

after collecting these observation about gesture and position, I started to draw on paper some sketches about the different positions and movement.

I cannot say there is a way in or out. the main focus was on staying in the square and the different ways I was managing my personal space.

first observation: gravity and weight encouraged me to step one foot on the side to lighten the position.

second observation: my natural attitude is to bounce without my feet moving and change my gravity usual connection.

third observation: moving is necessary, one step up, or on the side and come back, almost as a waltz (minimal step use)

After sketching some lines, basic shapes, I decided to include pattern as a step to show the surface involved and take off the surface that wasn't.

usually, most artists and also curators think about how to fill the space. It means filling a canvas, dispatch the work all over the space, create some kind of harmony or even symmetry in the composition or exhibition.

in this case, I realized that I don’t need to be equal, or fill anything and that the space that was not use was not needed.



Therefore, I gutted all the unnecessary pieces unused on the 1 square meter MDF.

Then I had to think about the colors. As there were 3 different observations I chose a pattern that was related to all observations and each color were meant to work as an answer to each other and combine a new palette for this work.

then because of the color filling difference between all of them, I realized it should be on the same spectrum and not work only on RGB relations.

so I create a new palette based on Blue. 

as I created two extensions to these installations, shadows made it obvious to work with one field colors.

stepping in and out, and revealing a 3D shape that makes you realize the difference between what you call painting and what you see.




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