Random Pattern Memory i have been working on compositions in different levels. I decided to invert the process. I created layers of colors, gestures and patterns and play with them until i get a new dynamic. i use geometry and tessellation of shapes or gesture to create new works. using found paper or palette swatches to create new color harmonies, and also focus more on shapes and interactions. i also combine paper weaving and collage to compose layers and create new colorfield perspective. acrylic, spray paint, on paper, 2020 Collect on Saatchi During the process of creating layers of colors, pattern of gestures, I came back to an old technique that i use to make a lot: lino print and woodblock. First i had to chose one shape where i could put inside many patterns and also think about the composition. I wanted each to be special but also to connect them with each other. So started drawing, then carving, and then doing color test and create a new library of pattern, colors and reintroducing texture in my work.

Penrose Penrose, Scultpure based on a side of 59 cm and 5 cm depth and colors interactions. Acrylic and pigments on MDF 2018 The idea of tridimensional painting was necessary for this project. While I was working on the pattern as figure volumes, I thought it's not enough. The volume needs movement and must imply that the viewer will move too. It's always challenging to create a piece thinking of the space reaction and viewer's too. Colors have their own reaction and interaction. the shape on its own is challenging your vision of space and geometry (ref: Penrose by Oscar Reutersvärd and Escher) So the first option was to build a shape the same way I paint and create the motion in different ways. The goal is mainly on the interaction and definition of space with colors. Still, there are some other options. Penrose 2 This installation is made to have a reflection about space, color, and the white cube. Back to basics, meaning, less is more, trying to show what is art and interaction in one piece, and play with it. Penrose, the impossible triangle is an old geometry trick, you can easily find informations online. I wanted to build one that like every piece of art, is one vision from a certain angle, and a casual shape when you move. so I experimented a lot of geometry, tried many version, with or without colors and then realized, that colors were mandatory. so I worked with RGB also due to the structure of it. do color build a shape or lines? what is the first thing that you interact with? what are your relations with colors? I still have many questions but I'll keep them for later. Penrose 2, installation based on color reaction (RGB). Acrylic on cardboard, 53 X 53 X 53cm//20,8 20,8 x 20,8'' 2018 Penrose 3 The concept of an impossible shape in 2D included in a 3D piece is a new way to challenge colors. Wether you find it or lose it, but the exploration reach a new level. Geometry is a structure part of our life.It’s necessary, but ignored most of the time. We are surrounded by structures, open and closed, but to give us perspective and space. The Penrose is a trick to this space study and to the white cube. Most of the time, the white cube is organized around a concept. What if the concept of it, all was one piece including the white cube as the first concept? Let’s embrace the idea that white is a choice. We need a structure for being, and seeing. Without white, the color cannot happen. soon a new text in the blog section to detail this more.

ג׳סיקה מוריץ ג'סיקה מוריץ, אמנית צרפתיה- ישראלית, גרה ועובדת בתל אביב. בעלת תואר ראשון ושני מאוניברסיטת Beaux Art de Paris (ENSBA). קיבלה את פרס האמן הצעיר LVMH לשנת 2006, ואת פרס TAKASAGO לשנת 2008. היא מאמינה שסדר בתוך כאוס מוביל לשיווי משקל הרמוני. עבודתה של ג'סיקה היא מסע אינסופי. הייעוד שלה לעולם אינו עוסק בסיום או קץ . אור הוא מצרך יוצא דופן עבורה דרך האבולוציה האינסופית של הצבעים, וכן רגע בלתי מוחשי של חסד ואינטראקציות עם ארכיטקטורה. התהליך מתחיל על ידי תרגום השתקפות זו ומימושה על ידי צורות, קוים וצבעים הרמוניים. היא בונה ארכיטקטורה אוטופית ( מרחב דמיוני מנטלי) שבה היא חושפת גיאומטריה בלתי אפשרית. האובייקטים האמנותיים של מוריץ משמשים מפתח למימדים חדשים, ולגישה חדשה כלפי צבעים. המבנים מייצגים אשליה אופטית שמסיחה את דעתנו מחשיבה רציונאלית והיגיון. אומנותה של מוריץ מקבלת השראה מאמני באוהאוס בעבר כמו Josef Albers .ג'סיקה חיה בתל אביב, בעיר שבה עקבות התנועה הזו עדיין קיימים בארכיטקטורה העירונית. Albers היווה השראה עבור מוריץ להשקיע את עצמה בתיאוריות של צבע. חקירתה הביאה אותה למשימה של השראה ולפריחת גישתה הייחודית לחומר האופטי. גסיקה מאמינה בקיימות כדרך לייצור אומנותה. בהתחשב בשינויי האקלים, היא עושה שימוש מחודש בחומרים קיימים. היא אוספת חומרים במסעותיה ומשנה את צורתם בתהליך שכמו קסם נותן להם תכלית חדשה. היא מנסה להימנע מהחלפה מתוך צרכנות חסרת היגיון. תערוכה 'טוטמים חדשים ואלים רדומים אחרים' ​ התערוכה בהשתתפות: אלסה ארס ברוש, פיליפ בולקיה, שולי ברונשטיין וולף, מיגל וואלינס פריאטו (ספרד), ישראל כהן, זיקיאן ליו (סין), ג'סיקה מוריץ, חן סונגו, ביני סי, דובי רונן, דניאל רימר. גלריה ורטהיימר , 8 כיכר פלומר, נמל תל אביב יריד צבע טרי 2023 | גלריה ורטהימר מציאות חד פעמית יבגני מרמן, גוסטבו בר ולנזואלה, סאיאן בגלייב, ג'סיקה מוריץ התערוכה מציגה ציורי שמן ופסלים של האמנים יבגני מרמן, גוסטבו בר ולנזואלה וסאיאן בגלייב. עבודותיהם מציעות פרשנות על תרבות הצריכה אשר מפסלת את חיינו ומשנה את מהות תשוקותינו, דרך מירוץ בלתי פוסק שלא יודע שובע. כך, הפרויקט משקף את המחשבה על יחסינו למושג הזמן ולמושג ההתיישנות בהקשרו הסביבתי. Fresh Paint Art Fair 2023, Tel Aviv. בהמשך לפרוייקט ראשוני שהציגה במתחם הגלריות ביריד צבע טרי, משיקה גלריה ורטהימר הערב (29.6) חלל גלריה קבוע בנמל תל אביב, שבו יציגו אמנים ישראליים ובינלאומיים. זוהי הגלריה השנייה של נטלי וגיל ורטהיימר, בעלי גלריה למון פריים. את פתיחת הגלריה יחנכו שתי תערוכות: ANTI – תערוכת יחיד של האמן הצרפתי בטיסט לאון, שעבודותיו מציגות דמויות צבעוניות וסוריאליסטיות, בין עבר לעתיד, ומעלות שאלות של זהות, מגדר וחרות; במקביל תיפתח תערוכה קבוצתית, של אמניות ואמני הגלריה, ביניהם האמנים הישראליים יבגני מרמן, אלזה ארס ברוש וג׳סיקה מוריץ והאמנים הבינלאומיים סופי אולריך (גרמניה), סאיאן בגלייב (קזחסטן) ומרגו וולטר (ארצות הברית). גלריה ורטהיימר , 8 כיכר פלומר, נמל תל אביב השראת אור וצבעים הלוואי והצופה יכול לראות בריחה, פרשנות משלו לאינטראקציה שלו ברֶגַע. אור הוא תקווה, בחוץ, ביטוי של זמן, בלתי מוחשי עד שתבחר «מסגרת» את זה. בכל עבודה בחרתי לצמצם יום אחד בתנועה קונצנטרית וסכמת צבעים. כל ציור הוא הצעה לדרך חדשה להסתכל על הדברים, לא רק אומנות. יתר על כן, הלוואי שהם ימצאו הקלה בקדנציה שלהם. אני מאמין שכולנו היינו דרך כמה אתגרים בשנה שעברה שמובילים אותנו לשמור על חיוני ומבוקש אינטראקציות. יתכן שיחסי גומלין אלה יביאו שמחה, הבנה טובה יותר של מה שמקיף אותנו ולהעלות את ההשתקפות שלנו יחד. גלריה פסל קיר צבעוני כוריאוגרפיה גיאומטרית פיסול בעץ, פיגמנטים וציור אקרילי Saatchi Online פסל קיר צבעוני אמנות במהדורה מוגבלת Return on Art פסל קיר צבעוני את הירח בינינו, אוספים אמנות על Saatchi Online מחברת קולאז ' פרויקט אלפבית קולאז 'של סקיצות סקיצות לפסלים פסל קיר צבעוני אהבה וסוג אחר, אוספים אמנות על Saatchi Online פסל ציור צבעוני ספקטרום כדור הארץ, אוספים אמנות על Saatchi Online פסל ציור צבעוני טוויסט שעות הזהב,נמכר, אוספים אמנות על סאצ'י Saatchi Online צרו קשר Mail ביקור סטודיו כיצד להזמין ביקור בסטודיו לאמנות, ללמוד על תהליך אמנותי, השראת צבע, לקבל השראה ולהתחיל לאסוף אמנות. להזמין ביקור בסטודיו

Shesbesh Sheshbesh Mural paining 240 X 550 2018 ​ Through this mural i wanted to consider wall as a playground. interactivity is very important in my work. i wanted to display israeli vibes with colors and history. So i remix the sheshbesh game, mixed it with some of personal history, as usual.The colors needed to be matching the vibes of the memory o had about this game and tel aviv. So i made some research and all colors came very naturally. Furthermore, living in Israel is accepting an heritage of mixed culture and also cultural appropriation from our origins. Learn more Collect Prints

Events Hello! Here you can find past and upcoming events, exhibitions, online talk, festival, new publications happening. so Far in 2023: exhibitions: ​ Migrations and The Shifting Borders curated by LoosenArt, Millepiani, Rome,Italy Linea Festival Open Architecture of interior space at Bi-Box Artspace, Biella, Italy ​ Publications top 40 for the Abstractd art prize 2023, Kaleido Special mention at Art Vue Foundation Yearly Prize 2022 Art Vue Foundation 2022 Yearly Prize - Painting category catalogue Ones to watch 2023, Art finder Write-Haus , Please scream inside your heart Upcoming Events יום ב׳, 01 באפר׳ Tel Aviv-Yafo Wertheimer gallery ⎮ New Totems and other sleeping Gods ⎮ Group Exhibition⎮ Tel Aviv 01 באפר׳ 2024, 11:00 GMT‎+3‎ – 30 באפר׳ 2024, 19:00 GMT‎+3‎ Tel Aviv-Yafo, Port Namal, Kikar Plumer 8, building 36, Tel Aviv-Yafo, 6350600, Israel Suly Bornstein Wolff, Israel Cohen, Elsa Ers Brosh, Ziqian Liu (China), Jessica Moritz, Daniel Remer, Dubi Ronen, Beenee See, Hen Songo, Miguel Vallinas Prieto (Spain). Share RSVP Archives Collect 2020-2021 Home

Summer Drawings After A 3 months residency in New York At Con Arts, (now called the Bowery Union), i came back to Israel. Just before my departure i got a commission for writing and illustrations an article for Kluid Magazine. So i started drawing at the airport, and thought about the upcoming summer season of Tel Aviv. I missed the light so much while i was away, some smells, perfumes, sounds, and what you cannot put in a box, which are totally part of Tel Aviv Culture. Color Pattern People, felt pen, color pencils and acrylic on paper 29 X 42 cm 2018 tel aviv beaches. ​

Inside Out still frame, inside out , video 6'02, 2020 ​ Collaboration with Diana Schuemann Dancer and Choreographer we came up with the idea of choreography in the white cube as a statement and also as a performance. Choreography Based on limited gestures in limited space. Movement is the most basic gesture that we can experience and achieve. Still, when you do it, you often forget that each movement has a direction and goal. As we both are engaged in movement based work in urban space and relations, we decided to build a project interacting with it and develop it around the different interactions and possibilities based on it. Both of us are also immigrants, so expression will never be the same for us. We had to build our own language to be able to interact in our daily life. Therefore, our attitude and gesture made our experience unique. Our posture, gesture and observations of our surroundings made us stretch, band over, fold to fit in this life. In this specific work, where Diana (the performer) is dancing in a closed space but showing to the street and interacting with viewers, people passing by, cars traffic and noise. ​ Full video Learn more Previously screened: piXel , online pop up exhibition, Inside out, 2020 #homeiswheremyartis , Curator WHEN TWO BECOME ONE, LOOSE THREADS curated by Philippa Wall, Luke Jones and Faye Golley 'In 24 hours' THE WALL SPACE | SCOTLAND, curated by Ayshia Taskin ayshia.co.uk and [SHIFT:ibpcpa] Screening Inside out, Collaboration with Diana Schuemann : A Fronteira- mostra de videoarte, Rio, Brasil Upcoming ALC Video Art Festival part of the collection "Cigarreras" listed and curated by ACOA (Contemporary artists from Alicante) Dance Days Chania 10 curated by Aliki Chiotaki When i was in residency in New york(2018), I met Kayo Albert. Incredible Artist part of Con arts Collective, Lives in Ny. Her work is amazing full of poetry and her technique is very unique. She works on Mylar, using ink, pastel, painting and drawing. ​ http://kayoalbert.com ​ https://www.facebook.com/KayoAlbertArt Graffiti workshop with Youtovia, Hertzlyia, Israel 2018 https://www.youtovia.com Bouge, Video installation collaboration with Lefranc-bourgeois, Paris Shesbesh, Glasses stand inspired by sheshbesh mural painting,acrylic on MDF collab with shinshin Studio, Tel Aviv, Israel , 2018

Anatomy of an artist Anatomy of an Artist ​ ​ ​ I decided to only focus on line and shape for approximately a month. Usually, most of my projects are based on colors interactions and figures. This time, I decided that as an Artist, since we are exposed as strange species, I could expose a little dissection with my own vision. As an artist, we all have a different perception of the world, colors, lines, and therefore ourselves. I tried my best to draw as a metaphor of my own experience. Renouncing to colors to find the essence of creativity and show the the lines as a statement. ​ I decided to only focus on lines and shapes in order to not waste any effort to figure out the real subject. we are all made of flesh and bones, maybe some more than others. being an artist makes you always extend the reality to relativity and twist the rules or clichés of just Being. Let it Be. ​ Anatomy of an artist, fig.4 . Gambling on the stars, Ballpen and ink on paper 18x21cm//7x8,2’’ ​ ​ Every night I stare at the sky Think of all I did And not Then I bet What will happen tomorrow Gambling shapes Putting money on the table Slamming words to the paper Whispering spells to the sky And I let the stars decide Or not I gamble on you On me And every night I close my eyes Without knowing which color is gonna be the first I’ll see. Anatomy of an artist, fig 5 Your words are precious, Ball pen and ink on paper 18x21cm//7x8,2’’ ​ ​ Without noticing As the tong cling the first letter The mouth opens The voice raise And it has been said Cannot swallow this As a gigantic boat Goes with flow Some words carry gold Some others are full of heavy stones Still they all matters I won’t remember them always But I will remember their side effects Mouth full Empty pockets Doesn’t really make any sense now Anatomy of an artist, fig.6. My legs are flowing Ink and ball pen on paper, 13,9x21,6cm//5,5x8,5’’ ​ ​ On that long road Through my veins Flowing to the ground Swimming between trouble water Species from another time Every scales moving and reflecting the moon Night and day The tail is sailing to another land No boundaries to my body No boundaries to what may Anatomy of an artist, fig.7. Eye dropping a sight, not life Ink , pencil and ball pen on paper, 13,9x21,6cm//5,5x8,5’’ ​ ​ Hard to face the truth Cruel are the words between us How to change direction How to make it easier to watch Still in my sight The vision of that moment I m not giving up Rolling it until I see hope The beauty remain in the eye of the viewer Still I cannot watch without disgust Eye dropping out Not life Anatomy of an artist, fig.8 Unlocking birds Ink and ball pen on paper, 13,9x21,6cm//5,5x8,5’’ ​ ​ Ground the birds They ll sing higher Keep the birds they ll whistle you an anthem As they fly around They show you the way to the garden Well guarded from the pests Where all the spells Blow in the air Anatomy of an artist, fig.9 Cloud step Ink and ball pen on paper, 13,9x21,6cm//5,5x8,5’’ ​ ​ Silently walking through this day Feeling all the lights tickling my skin Shivering in the clouds The rapture surrounds me Doubts vanish I was born a dreamer Lines and colors are my addictions Nothing is reasonable Even the dots Anatomy of an artist, fig.10 Heavy Feathers Ink and ball pen on paper, 13,9x21,6cm//5,5x8,5’’ ​ ​ Each eyelid carry the colors of each day From dark to light Sometimes with warmth and others with chills Closing my eyes on a glance of blue Blinking on pink What will remain from that All my feathers carry the colors Memory is useless Use your wings No weakness in any of your gesture Just another flap Anatomy of an artist, fig.11 Connect my body Ink,ball pen and gold acrylic on paper on paper, 13,9x21,6cm//5,5x8,5’’ ​ ​ As a flower bloom As grass wink in dew Arms swing and blink Each move is a shake between two earthquakes Standing still is not option I am the reed in the storm Shivering, standing, but growing I bend, I dance, I am Remaining in the light Anatomy of an artist, fig.12 Remember the golden moments Ink,ball pen and gold acrylic on paper on paper, 13,9x21,6cm//5,5x8,5’’ ​ ​ A memory is like a shade Appearing and vanishing without notice Try to remember the golden ones Still light and blinking Not a stroke Not a line The point is not to forget Anatomy of an artist, fig. 13 Gifted Ink and ball pen on paper 13,9x21,6cm//5,5x8,5’’ 2018 ​ ​ Handle with care Touch with your eyes Mind your step Feeling overwhelmed by all of it Drunk from the chaos Tipsy from love Gifted by the vision Blessed by the colors Thankful for the journey On my way to borderless universe Anatomy of an artist, Fig 14 Double//look at the bright side Ink and ball pen on paper 20x29 2018 ​ ​ Check twice before renouncing Try to find the single one But if there was two Look at the bright side You have double chance to meet Stare at them Be conscious Feel lucky Eyes wide open Or shot To be found To be defective To enjoy what you have Anatomy of an artist, Fig. 15 Jolt Ink and ball pen on paper 20x29 2018 ​ Loaded from the central station of emotions Shaking as a willow Hitching from the pain How many Volts was it? Emerging from the jolts Like ten thousands notifications You got the message Have to get over it Crawling, or sinking The water is deep The fear turns out as a fever The octopus is alive Collect Limited edition Art Prints, apparel and accessories from this série Order prints

corner stroke Corners can happen without closing the space. In this one, i wanted to try new wall extensions. They’re built to extend the architecture of what we see. I was thinking that the vertical and linear view could be improved. Of course, I would have to also think about colors, shapes, pattern, organic vs geometric, and colorimetry. Corners are not a limit, they are steps to another vision of color meeting the viewer. Every time you come out from the wall, the view has less space and needs to interact differently with the piece. Interaction is a topic that lately made me want to do more sculptures than painting. I think I’ll pursue this idea in the next works. the circles and the colors needed to extend to the space. i believe that wall is not just a support or a vertical relation to sculpture. it needs to be all over, and engaged with the wall. Corner stroke, commission mural wall sculpture, MDF, acrylic and pigments, 2018 Tel Aviv Corner stroke, commission mural, led installation, RGB interactive wall sculpture, MDF, acrylic and pigments, 2018 Tel Aviv

make love great again As in 2018 i painted a lot of portraits, and also realized a gap between relations, and people some sort of sabotage. I wanted to do a project involving all this. I thought let's create it as a campaign, a fake ad. Make people realize that after all, we have this, we have love, we can chose to share with people; as much as some people chose to hate and share the worst of them. So i started by collecting couples pictures, from 50's until nowadays. I built a new palette, organized my patterns. and i decided to do it as paintings and not prints. I thought that even if in less than 24 hrs it can be destroyed or stolen, i cannot lower the quality of the work or intentions behind. wheatpaste Acrylic painting on paper, 2018-2019, Tel Aviv, Israel Collect original Make Love great Again Mural installation, POP UP museum TLV 2019 ​ Order Prints Make Love Great Again wheatpaste, first draft, acrylic on paper, Kiryat hamelacha, Tel Aviv 2018 ​ Make Love Great Again wheat paste, acrylic on paper, Tahana Mercazit, Tel Aviv 2020 ​ pictures by Judith Yanos ​ Order Prints

works on Paper part of my process is drawing, using illustration, fine lines, erasing, covering cutting, taping and starting over. Working on paper also is important because you know that you won't be able to cover the same area over and over without hurting the texture. Drawing is a more spontaneous act, like scratching a match before bonfire. Some of my drawings explore surrealism and figurative representation. I believe i had to period i need to reflect reality. geometric painting Read More > Read More > Random Pattern Memory Read More > Read More > The other Women Read More > Anatomy of an Artist Read More > Summer drawings Read More > Read More > Liberty Girls Read More > Borderline Love Read More >

Woman as Pattern i explore through my work the vision that people have of women, the evolution of our status and of our behavior since emancipation. As we can reflect different for each generations, and also the clichés used by different media, we all are exploring our own image and exploiting it at the same time. my work is originally based on painting (acrylic) and also drawing. i also now use drawing in the city, and explore printing to expose women as pattern in the city. As growing up in 21 century, you are used to take for granted what you have, how people treat you. But sometimes you get a friendly reminder that it happens again. that we are some reflect, cover girls, it girls, mothers, hooks up, girl next door. We become patten of ourself without paying attention to it. As part of this project, i started printing some old fashion drawing, reminding the good old years of the good wife, and paste them over the city. As this pattern becomes part of your routine. Should we make a difference between art and reality? is there any? As the esthetic of it wasn't satisfying, i decided that graffiti would be more accurate and would be litterally using a stencil to create a pattern. Applying the pattern is a first step, but seeing interaction in the city, changing, covers, collaborations enhance the project. As human being we express or feel something because we are all different, and we feed our own feelings. So i just let them express.